Birth order is a strange and powerful force….more and more, the research points to the fact that in most families, a lot of your personality is not only developed because of your innate qualities, but also where you appeared in the birth order of your siblings.
This is certainly case for the Sony RX10 series….the first one was introduced with one of the Sony A7 series, the flashy big brother, and the Sony RX100ii, the precocious baby, and so of course, the uber-talented middle child was overlooked (and no, I’m an eldest child, so this isn’t my life story disguised as a camera review:-).
And this same thing has happened with the introduction of the RX10ii, which was completely lost in the kerfuffle about the A7Rii and the RX100iv cameras in the same release.
If you’ve ever tried to edit a big folder of stills, or God forbid, put together a video while you’re on the road with your laptop, you’ll know the myopic experience of trying to work with 24″ inches of information on a little 11″ or 13″MacBook screen. Well, relief is in sight, and the good news is that it won’t involve trying to jam your 27″ iMac into an airline overhead.
I was recently invited to submit some of my travel films to a new section on the website of a major American publication. It’s a showcase of short films and when you go to the site, it’s full of spectacular nature, adventure, and travel films that are daringly executed, expertly shot, and beautifully edited…and, to watch one, you have to sit through a 30 second, non-fast-forwardable commercial.
Can a newly minted full-frame video and still shooter find happiness using a bunch of 80’s -era compact cheap lenses? Could the old Nikon Series E lenses be the Sony E-mount lenses of choice for the new A7s in full frame mode?
The longer I do the video thing, the more I appreciate a shooter who can get a great interview out of an every-day person; the type of subject who isn’t a media-savvy professional used to being on camera and giving soundbites. Although he is known for so many other visual things in the world of DSLR videography, Philip Bloom seems to be able to get great interviews out of ordinary people, which is just one of the many reasons I admire him.
I have been a travel photography columnist in one or another major American magazine non-stop since 1986. That’s a long, and I’m fairly sure, unmatched, continuous, 28-year-tenure as a photo columnist that began at Travel&Leisure, moved to National Geographic Traveler, then to Popular Photography, Endless Vacations, and currently at Outdoor Photographer magazine.
Many times over the years, I’ve written about how video didn’t interest me because, while I love the storytelling aspect of it, to do it well, you needed a crew. And I always have worked by myself, or with just one assistant or fixer, and I’m not about to change my ways at this late stage of the game. As it turns out, I was wrong…. Read More